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But The Leather Boys has the most explicit storyline.A newlywed (Colin Campbell) having marriage problems finds escape through camaraderie with a biker gang – and doesn’t realise that his dynamic and faintly misogynist best friend (Dudley Sutton) is gay.The male pianist’s longing gazes at a photo of Robeson tell their own tale.It was directed by Kenneth Macpherson, the editor of the landmark film journal Close Up (1927-33) – sadly, following the poor critical reviews for Borderline, he did not direct again.Now Nighthawks can be re-evaluated as an invaluable time capsule of the late 1970s gay scene, in the liberated period between decriminalisation and the outbreak of AIDS.Ken Robertson is very good as the antihero, especially in the film’s best scene, when the teacher comes out to his homophobic class and confronts their prejudices.

Tom Shkolnik’s beautifully observed The Comedian (2012), in which a possibly gay, possibly bi thirtysomething (Edward Hogg) tries to make it as a standup in the capital, also narrowly missed inclusion. A few coded homosexuals can be found in Alfred Hitchcock’s early work (check out the swishy dressmaker in 1925’s The Pleasure Garden), while Ivor Novello’s films play up the flamboyant star’s androgyny, playing very odd, allegedly heterosexual men in The Lodger (1926) and The Man without Desire (1923).One of the first spottings of the GBF (Gay Best Friend), a creature maligned and adored in equal measure.